Paul McCartney – The Music and Animation Collection

Everyone knows Paul McCartney from his time in the Beatles, and afterwards, his own efforts and popular work with Wings. He has also dabbled in scoring movies and writing classical music. Enough for anyone, right?

Enter the Paul McCartney – The Music and Animation Collection:

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Enchanted Animated Tales with Original Music

This set contains three original animated tales featuring one famous bear (who is not named Pooh), one book adaption, and one completely original effort (my favorite!)

But before we go on, below is some information about the two men who led the teams that created these wonderful pieces:

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The Collaborators

McCartney was definitely the man behind the music but equally important was the man behind the animation, Geoff Dunbar. Between them, I believe they produced some Oscar-worthy material!

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Introduction Screen

Here you can select to play all three animated films in sequence, or select them one by one. There are also many extras to choose from, which we will touch on later.

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Main Menu

You can choose from Rupert & The Frog Song (1984), Tropic Island Hum (1997), and Tuesday (2002).

Let’s have a look at each in turn:

McCartney Rupert Title Card

Rupert Bear is a children’s comic strip character created by the English artist Mary Tourtel. He first appearing in the Daily Express newspaper on 8 November 1920. Rupert was a childhood favorite of McCartney and a natural selection for his first foray into animation.

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Rupert Bear

Perhaps not as well know outside of the British Isles as Winnie the Pooh or Paddington Bear, Rupert is still a very popular character.

McCartney himself introduces the tale:

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The book he is dusting off is presumably his own childhood copy of the original children’s book.

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Shush! ‘The Frog Song’ is about to begin…

The Frog Song, actually called We All Stand Together, happens only once every 200 years or so, so listen now for you won’t have a chance to hear it again! It was released and  reached number three in the UK Singles Chart in 1984.

This animated film about Rupert stumbling upon the once-in-a-lifetime opportunity of hearing The Frog Song is animated in a simplified style but with beautiful imagery. The highlight of the film, however, is the music.

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Psychedelic!

One scene of the frogs swimming to the music is reminiscent of some of the work done for Disney’s Fantasia. Given how both collaborators praise Disney in the Special Features section, this homage is not surprising!

I just wonder why McCartney never did any more of the Rupert Shorts?

The next film is:

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Disney-like Animation

A squirrel is saved by a hot air ballooning frog and taken to a tropical island where animals of all sorts have gone to escape slaughter by man. Upon arriving, the two new friends are welcomed with a song.

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Love

Tropic Island Hum is a catchy, imaginative, animated musical romp! By far my favorite of the set. The single of the title song reached #21 in the UK. The animated Short accompanied Disney’s Hercules movie in theaters in 1997.

The final film in this set is:

McCartney Tuesday Title Card

This film is based on a children’s book by David Wiesner but contains no words, only images to convey the story. Other than croaking and a few comments from confused humans at the end of the story, and a final piece of narration by Dustin Hoffman, the film pretty much follows that storytelling device.

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Flying Lilly Pads

The story takes place on a Tuesday around 8pm. Frogs are lifted into the air, much to their surprise, and enabled to fly. They do so, right into town, where they cause all sorts of mischief.

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Like knocking on windows…

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… and crashing houses to watch TV.

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The town is left littered with debris and lily pads. The mystery is never solved. But this is not the end! It seems that this occurs every Tuesday, but not just with frogs:

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Even pigs get a turn to fly!

And why now pigs? The closing narration tells us:

The events recorded here are verified by an undisclosed source to have happened somewhere, U.S.A.. on Tuesday. All those in doubt are reminded that there is always another Tuesday.” So… why not, I guess?

The Special Features are interesting:

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This is a nice collection of extras that round out the DVD collection. The set comes with a 16-page booklet with details about the production:

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COOL FACTOR: 5/5

I love Paul McCartney’s music. I love animation. So having the two together is just amazing! The quality of animation is Disney-worthy and the soundtracks and original songs are obviously good. McCartney himself provides most of the voices for all three films with an assist by wife Linda for one female character.

If you are a Disney fan, an animation fan, or a music fan, this collection is for you! If only to hear Tropic Island Hum. Man, that’s one catchy tune! See for yourself:

The Magical Music of Walt Disney Box Set

The Walt Disney Studio is best known for its achievements in both Shorts and feature-length animations. Live-action movies aren’t far behind. But after those must come music! Because for almost every Disney movie you know, you can probably hum a tune that you identify with that movie. Yes?

Hence, we have The Magical Music of Walt Disney box set, brought to you with glorious 8-Track tape quality:

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Ahhh… 1978 lives!

I found this set at a charity shop for just $5.99 CAN and just had to have it, even though I don’t have an 8-track player. Who does?

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Front and Back of the Box Set

This commemorative box set was released to coincide with the 50th Anniversary of the creation of Mickey Mouse, who you might remember, first appeared on-screen in the 1928 Short entitled Steamboat Willie.

So it all started with a mouse and ended, in 1978, with this glorious tribute.

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Who remembers these?

My father bought an old Fargo van when I was still a teenager and it actually had an 8-track player in it (along with a 3-on-the-tree shifter) and I would borrow it to ‘cruise.’ I cranked the two tapes I found on the floor of the van. One was Burton Cummings, I think. Good times in rural Ontario!

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Big. Bulky. And beautiful!

Apart from just wanting an unusual piece for my disneyana collection, I also bought this set because it has a 52-page full-color book included. It starts with an introduction to both Dick Schory, the producer of this set, and the book itself. Next, there is a two-page spread about Walt Disney. Let’s have a look at one page from that spread:

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This montage shows Walt from his beginnings up to just months before his death (center picture, on the set of The Happiest Millionaire).

Next is a two-page spread featuring the art of Disney animation. Below is one page from that spread:

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The next several pages cover Mickey’s early years in Shorts as well as the Silly Symphonies, and Mickey’s later years.

The book moves into the feature-length feature films starting with Snow White and including Pinocchio, Dumbo (below), and Bambi.

Next we are treated to some of the great animated classics of the Forties:

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Following is Song of the South, Cinderella, Peter Pan, Fantasia, Lady and the Tramp, and Sleeping Beauty. Then the True-Life Adventures series is covered as are the later animated years with 101 Dalmatians and The Rescuers, among others.

The live-action movies are covered next with Mary Poppins and Pete’s Dragon, both known for their excellent use of music.

Below are pages showing the music and sound effects departments:

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The book concludes with a look at the Disneyland and Walt Disney World parks. Both have a long history of musical storytelling!

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Sweet Nostalgia!

So maybe some day in the distant future, 8-track tapes will make the same comeback journey that vinyl has today… but I doubt it! Oh well. This set makes a great keepsake, a conversation piece, and definitely provides a cool slice of Disney history.

For more cool Disney history, check out my book reviews of The Magic of Disneyland and Walt Disney World and Walt Disney, an American Original.

1957 Walt Disney’s Fantasia Soundtrack LP

And this is why I still own a record player. Every once in a while I stumble across something truly special. Although Fantasia (released in 1940) was a critical success it was a box office disappointment for Walt Disney. His dream of re-releasing the film with new segments wouldn’t be realized until the far-off year of 2000, and again with critical acclaim but limited box office returns.

These facts in no way diminish this film’s historical and artistic significance! So when I found a mint condition copy of the soundtrack for Fantasia from 1957 I was ecstatic!

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Album cover

Being as this LP was released 17 years after the movie I wondered if it was the original soundtrack or if there was one released earlier. Although Walt did want to release an earlier version, it never happened. So what I have found is the first soundtrack release for the film. Here is what Wikipedia has to say about the release history for Fantasia:

Disney considered releasing the film’s soundtrack around the time of the film’s roadshow release, but this idea was not realized. The soundtrack was first released as a mono three LP set and a stereo 8-track tape in sixteen countries by Disneyland and Buena Vista Records in 1957, containing the musical pieces without the narration. A stereo edition LP was issued by Buena Vista Records in 1961. Disney was required to obtain permission from Stokowski, who initially rejected its sale unless the Philadelphia Orchestra Association received a share of the royalties.
The Kostal recording was released on two CDs, two LPs and two audio cassettes by Buena Vista Records, in 1982.
In September 1990, the remastered Stokowski soundtrack was released on CD and audio cassette by Buena Vista Records. In the United States, it debuted the Billboard 200 chart at number 190, its peak position, for the week of November 17, 1990. Two months after its release, the album was certified gold by the Recording Industry Association of America (RIAA) for 500,000 copies sold in the United States. In January 1993, it was certified platinum for sales in excess of one million copies.
For the film’s 75th anniversary, the Stokowski and Kostal recordings were released on two LPs and four CDs as the fifth volume of the Walt Disney Records: The Legacy Collection. The set includes Stokowski’s recording of the deleted Clair de Lune segment, and a recording of The Sorcerer’s Apprentice and Peter and the Wolf with added narration by Sterling Holloway.

What really stands out about this LP are the notes and artwork. The packaging is basically a 26-page booklet with three vinyl records. Here are the inner pages:

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The above pages outline the goal intended for the recording quality. It is worth a read if you care to enlarge the picture!

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Both Walt and Leopold Stokowski make good arguments for why Fantasia was a worthwhile project. Again, it is worth a read!

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As you can see, each section of the film has a two-page spread dedicated to it. On the left there is an introduction to the original musical piece followed by a description of how it was handled in the film. On the right is a beautiful piece of concept art from the section in question. I’ll say it again, it is worth enlarging the pictures to give these pages a read!

The final pages contain more of the concept drawings from the film:

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As noted earlier, this was a Buena Vista Records release. It may never have been released as Stokowski and later his estate tried to block the sale of any Fantasia soundtrack unless monies were shared with Stokowski and the orchestra that played the music. Obviously, things were worked out:

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I was amazed to find that the vinyl records themselves appear unplayed! There is no dust, wear, or scratches. Considering this release is over 60 years old, I consider finding such a pristine copy unprecedented!

This will now be the cornerstone of my Disney record collection.

Top 5 Non-Disney Disney Movies

How many times have you been talking about Disney movies and someone says that their favorite is An American Tail? Or when talking live-action movies another friend raves about how well Disney did with Chitty Chitty Bang Bang?

You see the problem here, right? Neither of those movies were made by Disney. So why do people think they are? Possibly because they assume if an animated movie is successful, it must have been done by Disney. Or if a live-action classic is still around today and shown on television once a year, it must have been done by Disney.

This is a definite tip-of-the-hat to the reputation of Disney but not something the other competing studios likely appreciate! But it does bring up a good topic for discussion. Which non-Disney movies really should have been, or could have been, released by Disney?

I’m going to focus on live-action movies that have become children’s classics. None of the movies in my Top 5 List will be from Disney, so I will provide the name of the actual studio responsible. For the sake of this exercise, I will assume that Disney has acquired the rights to each movie listed, as that is how it seems to most people anyway:

Acquisition Number Five

Dr. Dolittle: 20th Century Fox (1967)

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Containing no less than 14 songs and a host of real and puppetry animals this movie has become a children’s classic that most have forgotten. It did poorly in theaters when first released but has gained a cult following of sorts.

Synopsis: The movie follows the adventures of Dr. Dolittle (Rex Harrison) as he transitions from a regular physician to a veterinarian. He is helped in this by a talking parrot who teaches him animal languages, thus enabling him to actually talk with the animals, ‘grunt, squeak, squawk with the animals’! This gets him into trouble with a local magistrate and sentenced to an insane asylum which he quickly escapes from. Now free, he embarks on a quest to find the Great Pink Sea Snail, which he finds near a traveling island. Stuff happens and he finds true love and is able to return to his home.

The highlights of the special effects are the Push-me-Pull-me lama-like creature and the Great Pink Sea Snail, which is huge and actually sails on the ocean!

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Think of a man doing for animals what Mary Poppins does for children. Now that’s Disney-like!

Acquisition Number Four

The Sound of Music: 20th Century Fox (1965)

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This is a no-brainer as it stars Julie Andrews who also played the part of the very Disney-like Mary Poppins.

Synopsis: Maria is a free-spirited young Austrian woman studying to become a nun. Her love of music and the mountains, her youthful enthusiasm and imagination, and her lack of discipline cause some concern so she is sent off to the villa of retired naval officer Captain Georg von Trapp to be governess to his seven children. They sing many songs (My Favorite Things, Do-Re-Mi, Sixteen Going on Seventeen, Climb Ev’ry Mountain) have fun adventures, endure heartache, and eventually fall in love, get married, and then escape from the Nazis by climbing over the mountains. Just your average story!

The facts that it is based on a true story, and is played on television every year, makes this an enduring classic worthy of being considered a Disney movie!

Acquisition Number Three

The Wizard of Oz: MGM (1939)

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The oldest movie on this list but perhaps one of the most well-known. There is a whole section devoted to this classic in The Great Movie Ride at Disney’s Hollywood Studios but I don’t think anyone believes Disney did this one. But he should have! In fact, the Disney Studios did obtain the rights and released Return to Oz in 1985, but Walt was interested in this property much earlier and even planned a live-action movie starring the Mouseketeers.

Synopsis: Dorothy (Judy Garland) lives in Kansas with her family and her dog Toto. A tornado sweeps her off to Oz where she accidentally kills a wicked witch which understandably angers the witch’s sister! The movie plays out as Dorothy meets the Tin Man, the Cowardly Lion, and the Scarecrow, and together they save Oz. Short version.

Wicked Witches. Funny side kicks. Flying Monkeys. And the Wizard of Oz. No wonder Walt wanted in on this classic!

Acquisition Number Two

Willie Wonka & the Chocolate Factory: Paramount (1971)

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This is one of the best children’s musicals of all time! Forget the Johnny Depp remake and go back to the 1971 Paramount version for a stunning adaption of this wonderful series of books by Roald Dahl. Starring Gene Wilder as Wonka, there is just so much to love about this movie!

Synopsis: Willie Wonka realizes that he can’t care for the chocolate factory by himself forever and so goes about finding a replacement among the children of the world. He issues golden tickets and Charlie gets one. Of all the children tested for the job only Charlie shows the right stuff and wins the day!

A magical factory. Oompa Loompas. And chocolate and candies galore. Add a dash of songs like ‘The Candy Man Can’ and ‘Pure Imagination’ and you have a very Disney-like non-Disney movie! Oh, and Disney did do another Dahl adaption with James and the Giant Peach in 1996.

Extra: Read my review of the Commemorative Edition LIFE magazine about the life and career of Gene Wilder.

Acquisition Number One

Chitty Chitty Bang Bang: United Artists (1968)

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Dick Van Dyke without the cockney accent. Music by the Sherman Brothers. A flying car. Wacky characters and villains. This was the follow-up to Mary Poppins that Disney hoped for when the studio did Bedknobs and Broomsticks.

Synopsis: The children of Caractacus Potts (Van Dyke) talk him into buying an old race car which he restores to better than new. And to even better than he thought as it turns out it can float on water and fly in the air! Along with love interest Truly Scrumptious and the children, Potts ends up in the far-off kingdom of Vulgaria where they have many adventures. In the end, they return home, and it was all just a story-like dream. Or… was it?

The real standouts in this movie are the music and dance numbers! From the title song to classics like Me Ol’ Bamboo, Toot Sweets, and Hushabye Mountain, Walt’s boys were in fine form!

Conclusion: A good Disney movie has a fantastic storyline, engaging characters, uplifting music, and great special effects. The five movies on this list have all of these things in spades! No wonder many people think they actually are Disney movies.

So why not put aside your Disney Movie Night and have a Non-Disney Disney Movie Night instead?

Magical Blogorail: Imagineer for a Day

Mayor for a Day. Firefighter for a Day. Astronaut for a Day. All good choices, but for the Disney fan, it has to be Imagineer for a Day! Join me and my fellow Blogorailers as we exploit our opportunities to change whatever we want about the attractions and/or shows in the Disney parks!

Welcome to this month’s Blogorail Green Loop. I’ve chosen to reimagine:


RocknRoller Coaster Starring Aerosmith

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Currently, Rock ‘n’ Roller Coaster Starring Aerosmith is an enclosed launched steel roller coaster at Disney’s Hollywood Studios at the Walt Disney World Resort and at the Walt Disney Studios Park in Disneyland Paris. As the attraction’s name suggests, the coaster features Aerosmith members, Steven Tyler, Joe Perry, Tom Hamilton, Joey Kramer, and Brad Whitford.

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Remember them? Many young people today don’t, and this is one reason I feel it’s time for a rethink! Even if the queue area is awesome.

The Florida attraction opened on July 29, 1999 and is located at the end of Sunset Boulevard. The coaster accelerates from 0 to 57 miles per hour in 2.8 seconds and that is something I would not change! Because riders experience 4.5 G as they enter the first inversion, more than an astronaut does on a space shuttle launch. Yeah. It’s that wicked!

But outdated. So what would I do to reinvigorate this attraction if I were an Imagineer?

F I R S T

Introduce a new theme

Out with Aerosmith and the music angle. Rather than mess with the beyond-awesome Twilight Zone Tower of Terror I would introduce a Marvel theme to this attraction instead. Universal Studios has made an art form out of fusing Marvel characters with cutting edge roller coaster technology and as a result has arguably kicked Disney’s butt in the thrill ride sector!

Adding to the obvious symmetry of this product placement is that Disney’s Hollywood Studios is a movie-themed park. Marvel Comics movies are killing at the box office now and will likely continue to do so for many years to come. So a superhero overlay only makes sense.

S E C O N D

Reinvent the queue area

Out with the tacky video message. There are so many better and higher tech ways to engage an audience than a flat screen video presentation. The concept artwork for the Guardians of the Galaxy queue area planned for TOT would work here.

Or we could use Avengers Mansion as a template. Or Stark Industries. Or Dr. Strange’s Inner Sanctum. The list of available options are numerous and could be swapped out to freshen up the attraction as new Marvel movies are released. This would also give Disney the opportunity to promote new properties.

T H I R D

Add additional Photo Ops

One action shot is not enough! I love ride photos and this roller coaster has so many scream-inducing moves that more cameras to capture these moments would be cool.

Beyond that, we have the opportunity to create a Marvel hero meet-and-greet beyond anything we have seen in a Disney park to date! Face characters could interact with guests during times of peak capacity. More face characters could be waiting for guests after the ride, near the obligatory gift shop, to pose for pictures.

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And that my friends is what I would do to the Rock ‘n’ Roller Coaster if I were an Imagineer for a day! Of course, it would take slightly longer than a day to pull off such changes, but with a little faith and some pixie dust… it would still take longer than a day.

But I’m a patient man and would stick with it until it was done! Am I hired?

For more about Disney attractions we would like to see improved, check out the other great posts from the Blogorail!


Here is the map of our Magical Blogorail Green | Imagineer for a Day Loop:

Mickey Mouse Club Song Hits LP Record

As Disney fans we are all Mouseketeers at heart! Even though most of us were not around in the early 1950’s to see The Mickey Mouse Club in its original broadcast run, we might remember seeing episodes in syndication or on DVD collections.

And then there’s the merchandise that helps us to relive the fun and music of this iconic program! Merchandise like this:

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Disneyland Records LP – 1975

Released some 20 years after the original program this is a very nice keepsake for any MMC fan. As you can see, it contains songs along with a personal Mouseketeer cast photo album. A list of the songs can be seen below:

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Unfortunately, I didn’t realize until I got this item home that it contained the wrong record inside. The LP that it has is still featuring the Mouseketeers but singing about the Mousekedances that were performed on the show. You can read the playlist by enlarging the album labels below:

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A very nice selection of music!

The real feature of this LP is the 16-page cast photo album. They contain stills from the show along with some pretty terrible copy along with some sketch artwork of Disney characters.

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The album cover is in pretty bad shape with a name written on the cover and the record is a bit scratchy. With it also containing the wrong record I normally wouldn’t have bought it. But on the strength of the 16-page cast photo album alone I relented and paid too much!

I also had to go down into a dank and stinky basement and risk disease to obtain it, so I hope you appreciate what I went through to bring this vintage item to you today! I think I should get a medal. Or a free tetanus shot. At this point, I think I’d like the shot!

Why Disney's LET IT GO Is a Bad Song

A Disney song has always been there to move the story along. It can define a character or delve into their motivation, or further the plot. Of course, it’s also designed to stick in your head so that you will love the movie and rush out to buy the soundtrack!

Fair enough.

But I also happen to feel that any song that plays in a children’s movie should be socially responsible. The content of the lyrics should promote good behavior, sound principles, and motivate the listener to be better in some way. I speak of songs sung by the protagonist, or hero, and not the villain. A song sung by a villain is designed to explain their reasons for being nasty and the bad ideas within the lyrics are shown to be wrong when the villain gets his or her comeuppance in the end!

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So why do I say that the song Let It Go from the movie Frozen is bad? I know I’m going to be in a minority on this but I feel if people actually read the lyrics instead of just singing along with the tune, they just might begin to see some problems.  So let’s begin.

Let It Go was written by Robert Lopez, Kristen Anderson-Lopez, Emanuel Kiriakou and is  Copyright © Warner/Chappell Music, Inc, Walt Disney Music Company. I obtained the lyrics from Google Play Music and trust that they are accurate. I will show the lyrics one stanza at a time, analyze, then move on to the next stanza:

The snow glows white on the mountain tonight
Not a footprint to be seen.
A kingdom of isolation,
and it looks like I’m the Queen
The wind is howling like this swirling storm inside
Couldn’t keep it in;
Heaven knows I’ve tried

Things start off well with Elsa simply surveying her new surroundings and comparing them to her inner turmoil. Which is admittedly great and understandably so!

Don’t let them in,
don’t let them see
Be the good girl you always have to be
Conceal, don’t feel,
don’t let them know
Well now they know

Again, Elsa is honestly expressing her feelings about her treatment at the hands of her parents. Being told not to use her powers and then hiding her away from the world because of one accident was a knee-jerk reaction taken to an extreme level! Bad parenting doesn’t begin to cover this situation.

We begin to see a hint of the problem when Elsa callously flips off the line ‘Well now they know’. Yes they, her subjects, do, as their entire land is frozen, live stock and crops are dead, businesses are ruined, and if this was the real world, many are likely to die due to being completely unprepared for such a drastic change in the climate.

Let it go, let it go
Can’t hold it back anymore

This signature line from the chorus is the one sung heartily by everyone, even little children. But what are these lyrics actually saying? The idea is that when you can no longer handle a bad situation, let go (or lose control as Elsa does) no matter what the consequences are to yourself or others.

Let it go, let it go
Turn away and slam the door
I don’t care
what they’re going to say
Let the storm rage on.
The cold never bothered me anyway

And this is perhaps the worst part of this song! Slamming the door in the face of the problem is not going to solve anything. Not caring while being aware of the bad situation caused by one’s decisions and cruelly saying ‘let it go on’ because ‘it doesn’t bother me’ is again not a lesson to teach small children!

It’s funny how some distance
Makes everything seem small
And the fears that once controlled me
Can’t get to me at all

Here Elsa has run away from her problems far enough to make them seem small and trivial, when in fact they are big and impactful. She is happy to be safe while everyone else is still in great danger.

It’s time to see what I can do
To test the limits and break through
No right, no wrong, no rules for me,
I’m free!

So now that her powers are ‘outed’ she chooses to see just how much damage she can do with them instead of seeing if she can fix things and prove everyone wrong about her. We need to know and accept what is right and wrong and adhere to certain rules to have a safe and working society. Someone who feels ‘free’ from these concepts inevitably hurts others.

Let it go, let it go
I am one with the wind and sky
Let it go, let it go
You’ll never see me cry
Here I stand
And here I’ll stay
Let the storm rage on

Now Elsa decides not to face her issues but bury them deep inside her and simply let the world go on without her. She is also okay with the world having to deal with the mess she left behind, just letting ‘the storm rage on.’

My power flurries through the air into the ground
My soul is spiraling in frozen fractals all around
And one thought crystallizes like an icy blast
I’m never going back, the past is in the past

The past is never ‘in the past’ until there is a resolution to whatever the problem is. That is why we have coined the term ‘closure’. People spend serious time and money on trying to deal with traumatic events in their past so that they can have a better future. Elsa is in effect ceasing to live.

Let it go, let it go
And I’ll rise like the break of dawn
Let it go, let it go
That perfect girl is gone
Here I stand
In the light of day
Let the storm rage on

The cold never bothered me anyway!

Elsa should never have been made to feel that she had to be perfect, nor that the way to achieve this was to hide who and what she was. But to decide to be, in effect, a bad girl, is not a healthy alternative!

Lastly, this final line is perhaps the most damaging lesson this song teaches. That if something doesn’t bother you, who cares about anyone else? Loving, caring, and well-adjusted people care about others, even if those people have made mistakes that hurt them or don’t seem at first to appreciate the effort.

This song seems to say that if you are treated poorly, become as bad as the abusers. Whereas I think we can all agree that the better path is to take the high road and rise above the crowd.

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Does this look like a good attitude?

Conclusion: It should be noted that Elsa endured horrible treatment by the two people who should have loved and protected her, her parents. The damage that this would do to a young child is incalculable! So perhaps we can understand her position. But I put forth that her song is that of a villain explaining the reasons for doing what she does, and certainly not a song of empowerment. Remember that the Ice Queen in the original book was a villain and I don’t think Disney intended Elsa to be viewed as well as she has been, but has just run with it for merchandising dollars.

Why this song is held in such a high regard is that somehow Elsa has been cast as a suppressed victim who has every right to act as she does. And she doesn’t act well! In fact, she accidentally freezes Anna’s heart, and instead of trying to help, creates an Ice Monster to remove her from her presence. This monster then goes on to immediately try to kill Anna. I guess that didn’t bother Elsa either?

Also, many fixate on the ‘sisterly love’ angle of the movie, but again, I contend that there is no sisterly love, just one sister’s love (Anna’s) for her sibling (Elsa), which is not returned.

Now that we have analyzed the lyrics stanza by stanza, I would like to recommend that you consider Anna as the true hero of Frozen and consider looking to her as a role model for your little girl or boy, and not Elsa, even if she does have a catchy song.

FUN FACT: Note the shape of the balusters in the railing in the above picture. Does the repeating shape remind you of anything? It resembles the chest insignia of Wonder Woman, the ultimate symbol of female empowerment. Coincidence, or subliminal message?

‘Ode to Joy’ Inside Out Plush

Originally Karen and I picked a character to represent ourselves from the Disney/Pixar film Inside Out. We did this tongue-in-cheek of course! Karen picked Sadness and I picked Anger. Neither character really defines us, but they looked so good in plush!

We finally decided we should add a little joy to our lives (and bedroom shelves) to remind us that even in the worst of times there can always be found a little Joy:

Inside Out Joy Plush 002

I’m sure we all remember good old Friedrich Schiller who wrote the famous poem Ode to Joy in 1785. A bit before your time? Perhaps you’re more familiar with the version done by Ludwig van Beethoven in the final movement of his Ninth Symphony in 1824. Still no?

Well, lucky for you I just happen to have the lyrics to this masterpiece available for your perusal. However, some of the words seem to have been changed sometime between then and now, which I have indicated by shading the changed words in grey. I think you will agree that Mr. Schiller definitely had Joy in mind when he wrote the poem all those centuries ago:

Joy, beautiful spark of Pixar,
Daughter from Inside Out,
We enter, hearts on fire,
Inward, thy sanctuary!
Your giggles join again
What decision strictly divided;
All people become brothers,
Where your gentle laugh abides.

Who has succeeded in the great attempt,
To be an emotion’s friend,
Whoever has won a free ticket,
Add his to the jubilation!
Indeed, who calls at least one character
Theirs upon this world!
And whoever never managed, shall steal himself
Weeping away from this storyline.

All creatures think of Joy
At Disney’s behest.
Just and unjust
Alike taste of her whim;
She gave us OCD and micro management,
A controlling friend to the end.
Even Anger has been granted peace,
And the animator stands before Walt!

Gladly, as Walt’s animators fly
On their courses through the dailies,
Thus, brothers, you should take your date,
As a hero and go to the movies.

You millions, she embraces you.
This Joy is for all the world!
Brothers, beyond the present box office
There must dwell the obligatory sequel.
Do you hurry to pay, you millions?
World, do you know your place?
Seek Joy in the theaters;
That is the place you must dwell.

If everyone embraced this poem, it would bring a tear of Joy to their eye, and a ton of money to Disney’s bottom line!

Walt Disney’s Stories from the Mouse Factory LP

A long title for a short entry in the catalogue of Disneyland Records. These story records are indeed short on content but perfect for little ones with short attention spans. This offering even has eleven storybook pages to help focus the listener.

Mouse Factory LP 1  Mouse Factory LP 2

Front and back of the sleeve

The four stories that are narrated for us are The Little House (1952), Susie the Little Blue Coupe (1952), Johnny Appleseed (1948), and Lambert the Sheepish Lion (1952). These are all Disney Shorts. This album was produced in 1972.

Now let’s have a look at the storybook pages within:

Mouse Factory LP 3

Mouse Factory LP 4

Mouse Factory LP 5

Mouse Factory LP 6

Mouse Factory LP 7

Mouse Factory LP 8

I was very glad to see no coloring or children’s name scrawled on these pages! Also, there is no hole punch through the top right corner. This was a technique practiced by retail stores to identify discounted LP’s that could not be returned for a refund. Most of my Disney record collection has just such a hole punched in the corners. Boo retailers!

Mouse Factory LP 9     Mouse Factory LP 10

Disneyland Records label

Just for a bit of fun, take a look at the time on the punch clock at The Mouse Factory where Mickey works:

Mickey Time Clock

Who starts or ends their shift at 2:50 in the morning or afternoon? I guess when it’s your image on the clock, you can punch in or out any time you want!

For more LP fun, check out Tubby the Tuba and Walt Disney Presents by clicking the links!

Tubby the Tuba LP – Narrated by Annette

Who is Tubby the Tuba you ask? Well, if you were into collecting very obscure Disneyland Records releases in 1963, you’d recognize this character as a one-off musical instrument used to teach children about, what else: music.

But I’m guessing that doesn’t clear anything up for you, so I think this would be a good time to show you the LP cover:

Tubby the Tuba Record 1

I love his socks!

This LP from Disneyland Records follows the pattern of most similar releases in that the main title is confined to the A Side, with filler or stock music of a related theme confined to the B Side. So as you may gather from that, Tubby the Tuba and his story only appears on the A Side of this LP.

Annette does a fantastic job of narrating the story doing many character voices and even singing a very funny character song for a bullfrog.

FUN FACT: Even though Walt talked her out of changing her last name, with the argument that she would be unique and remembered for it, she is often billed as simply ‘Annette’. What’s up with that?

Tubby the Tuba Record 2

The story of Tubby the Tuba follows, you guessed it, a tuba as he tries to be taken seriously by the snobbish instruments of the orchestra he is a part of. While they get to play beautiful melodies he only gets to go ‘Uumpa! Uumpa!’ and is shouted down if he tries to do anything else.

After a rehearsal Tubby goes off by himself and sits down beside a pond where he meets a large bullfrog. The bullfrog is a happy and courteous fellow and greets the tuba and soon they are swapping life stories which turn out to be very similar. It seems the bullfrog’s singing isn’t appreciated by his pond friends either. He sings a tune for Tubby that both cheers him up and gives him something to play for his band mates!

Tubby returns to the orchestra for another rehearsal and tries to sneak the bullfrog’s tune in but is again shouted down by the other instruments. But the Conductor hears it and asks Tubby to play it again. He does so and it is so good that all of the other instruments join in and Tubby is now a respected part of the orchestra!

NOT-SO FUN FACT: Back in 1963 society still wasn’t very sensitive to anything that was different. Movies and television were filled with stereotypical depictions of heavy-set people. Usually every plucky protagonist had an overweight friend constantly munching on junk food for comic relief. I always wondered how those (usually) younger actors felt about being hired solely to be laughed at?

My contention is with the naming of this character: Tubby the Tuba. With the root word so obvious and the tuba’s size as an instrument, it’s not hard to see why the writers took the easy way out in naming him. But although arguably not as cute, couldn’t he have been named Thomas the Tuba or Terry the Tuba or Tony the Tuba?

This may be a stretch, but it comes close to fat shaming a tuba because of its size.

Now back to 2016 and the B Side of the LP:

Tubby the Tuba Record 3  Tubby the Tuba Record 4

  1. This was a Short from 1953 and provided a history of music through the ages, from prehistoric man to the modern symphony orchestra.
  2. An old standard given a new musical twist.
  3. A medley featuring five things kids might sing about.
  4. Jimmie Dodd sings a quasi-religious song based on the Bible book of Proverbs to the Mouseketeers.
  5. This song was written by Dodd but sung by an ensemble.

It was great to hear Jimmie Dodd again as he was such a great talent and a very good man all around. It’s always interesting to see him outside of his Mickey Mouse Club role.

FUN FACT: Did you know that Jimmie Dodd starred in live-action movies before joining the Disney family? Please see the post entitled Jimmie Dodd Meets Private Snuffy Smith for one such role where he also shows his musical side.

These old LPs are great collectors items and very inexpensive to obtain. I picked this one up a local flea market for just a dollar. The music is well done and the artwork is fun! For another music-related Disney LP geared towards teaching children about music, you may like to check out the post entitled ‘Walt Disney Presents’ LP Record.